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Lexicon 17spkr Mini Review

enjoyingsilence

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the first thing I looked for before purchasing my Genesis was a review of the premium / upgraded 17 speaker Lexicon system. I had only seen personal comments, which are excellent! I'm open to opinions, I have plenty of my own... Some may have read a few here :-P

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While I don't consider myself to be an audio engineer, I do consider myself to be an audiophile. The words "Bose" and "great" (or any other word: fabulous, amazing, etc" should never be used in the same sentence. (told you I have opinions). I have Bang Olufsen equipment in my living room, some Linn speakers and amps in other parts of my home.

And personally, as a musician/vocalist, I record using Mark Levinson equipment, Shure Microphones, and playback with B&W Speakers. I am very familiar with Lexicon's lineup... however, for the recording industry, Mark Levinson is *almost* the same, and a lil bit cheaper. (no, I don't own a recording studio; goodness I wish).

Lexicon, is a division of Harman International & Harman Becker Industries (whom developed the interface to the DIS in your Genesis). Also, being the parent company of JBL (Toyota), Harman/Kardon (BMW, Mercedes Benz, Subaru, likely a few others), Infinity (our own, Hyundai, Chrysler, others), and several others, I was surprised to see a stereo system with speakers "manufactured by Lexicon"; As Lexicon is not in the business of doing so. Only line equipment, such as receivers, pre amps, amps, and disc players. I'd be willing to bet, the Genesis speakers are manufactured by Harman.

From a technical point of view, the stereo is a masterpiece and a work of art. 17 speakers. 3 in each door, a tweeter and midrange as a centre channel, and 3 rear speakers. This would mean 4-6 crossovers, internal and external, at least 2 sound processors, with Logic 7 codec, balanced topology, and between 20 to 20,000Hz, less than 0.1% THD. Which is amazing.

The sound processor is what separates this system from other "HiFi". In surround mode, it's ability to re-image and distribute the proper channels in the vehicle, on the fly is unrivaled. If I am correct, only the ZX-7 Amplifier for your home from Lexicon does this. Which, as of this writing, retails for around $6,200 USD.

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In personal experience, I demoed the system with a DVD audio disc, of songs, I had recorded. It was, recorded in 5.1 surround sound, as it should've been, and professionally cleaned up. (which does not mean, enhanced vocals) I heard pops, and physical pressure changes in the chamber of the microphone I had never heard before; specifically on my acoustic recordings.

Additionally, I wanted to listen to a suite of complex synths with vocals, to test accurate reproduction. At full volume with the following songs, I never detected distortion.

  • Celine Dion - Power of Love
  • Josh Groban - Remember When It Rained (Live)
  • Imogen Heap - Hide & Seek
  • Evanescence - My Immortal (Acoustic)
  • Blue Man Group - Rods & Cones, I Feel Love, White Rabbit, Drumbone, And Above
  • and several others

I have to say, in many of these songs (which I have seen performed live for the most part) I heard things I had never heard before, even at home. Maybe it was the sound environment I was in, maybe it was the incredibly precise reproduction of the tracks. I'm leaning towards 50/50.

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In summary, I hope this has provided some insight to one of the most sought after stereo systems in the automotive industry right now. And from my perspective, if you thoroughly enjoy your music, and have the financial power, this upgrade comes with high recommendations.
 
The system's ability to extract an amazing presence and depth from almost any recording is unparalleled. Tonight, I was listening to Vince Guaraldi and was amazed that I felt like I could hear the finger-strokes on the upright bass; never before (including through my own home system) have I heard such verisimilitude in a musical recording.

Not only is the sound processor superb on CDs, but it does an amazing job of extracting and enhancing the most full dynamic range from mp3 and m4a files. Listening to songs on an iPod, I am amazed at the believable and enveloping surround sound field that is created. Upper ranges are crisp and sharp; bass notes are mellow and musical without the lifeless thumpiness that often defines mp3/m4a playback in most vehicles.

I'm not sure what musical voodoo Lexicon is performing, but the results are magical!
 
I'm not sure what musical voodoo Lexicon is performing, but the results are magical!

I used to own and operate a professional audio company (approx. 13 yrs. ago). I got exposed to Lexicon by an audio engineer (who doubled as an electrical engineer) who really liked their stuff. I used a good bit of Lexicon gear then...it was good stuff then...even as a dealer for most of the gear I used (which means I bought mostly at wholesale) it was still expensive. But, the clarity and the "usefulness" of each outboard processor made the final sound so crisp, it doesn't surprise me that they went into car audio--although I don't know when they went that direction. It's great to see (hear) a real difference between the Lexicon gear and the former Pioneer, Sony, etc. devices. Lexicon (and a good mix) really helped my audio mixes stand out in the crowd!

Dan
 
Thanks to ES for a great post, that now allows these pics from a previous post to make more sense. :)




Offers a great explanation of difference between base model Lexicon and the Tech Package version. Shows speaker layout by model, and more.​


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The best way to say it:

It sounds real.

The system's ability to extract an amazing presence and depth from almost any recording is unparalleled. Tonight, I was listening to Vince Guaraldi and was amazed that I felt like I could hear the finger-strokes on the upright bass; never before (including through my own home system) have I heard such verisimilitude in a musical recording.

Not only is the sound processor superb on CDs, but it does an amazing job of extracting and enhancing the most full dynamic range from mp3 and m4a files. Listening to songs on an iPod, I am amazed at the believable and enveloping surround sound field that is created. Upper ranges are crisp and sharp; bass notes are mellow and musical without the lifeless thumpiness that often defines mp3/m4a playback in most vehicles.

I'm not sure what musical voodoo Lexicon is performing, but the results are magical!
 
Thanks Enjoyingsilence for that great post about the Lexicon package.
 
The words "Bose" and "great" (or any other word: fabulous, amazing, etc" should never be used in the same sentence. (told you I have opinions). ----

In summary, I hope this has provided some insight to one of the most sought after stereo systems in the automotive industry right now. And from my perspective, if you thoroughly enjoy your music, and have the financial power, this upgrade comes with high recommendations.

Thanks for the excellent review. For what it's worth, I share your opinion of Bose sound - matter of fact, the truly awful quality of the Bose stereo in the 2009 Maxima was a major factor for me in picking the Genesis over the new Max.
 
Absolutely welcome folks :)

Also, made some calls, and have found a few discrepancies in both my statements in the original post and the advertisements in the link that BayWayRic provided.

Lexicon is a brand, which is a step up from Mark Levinson. Think of it this way.. Mark Levinson is to Lexicon as Jaguar is to Aston Martin. they are effectively the same thing, with minor changes.

The link that BayWayRic provided advertises 10% total harmonic distortion (THD), this is not an accurate representation of the architecture of the stereo system. I would be willing to bet this is assuming 10% total harmonic distortion (THD) when sound is being reproduced from a 2 channel source, to a 7.1 or 5.1 source. Obviously signal will be created from nothing, or even spliced away from something.

This is where the signal processing of the Lexicon technology outweighs Mark Levinson's. On the fly processing allows for minimal loss from original signals, while being able to truely reproduce the signal, especially in such closed quarters. ;) In the eyes (and ears, lol) of an audio engineer) that makes it easy - closed quarters (e.g. a car). A home, a theatre, or studio, is entirely different.

Additionally, I was able to call a representative of mine who works for Harman International, who "off the record" informed me, while had no immediate white papers in front of him he was fairly certain the amplifier had been toned down, in terms of wattage, to provide as little distortion as possible.

It is also nice to note, the Mark Levinson system used in the current year model Lexus LS 460 is 19 speaker 450 watts 7.1 architecture. using the ML3-12 Amp. Notably similar to the Hyundai's amp, but with less power, older firmware, and different crossover topology.
 
Thanks for the info on the details of the system! I can't get enough; it seems like the more I learn about my new car the more I love it.
 
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